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Movies / Inside Out
« on: July 07, 2015, 07:50:39 am »
It's probably in my Top 3 for Pixar movies. Finding Nemo will always be #1 -- it came out the year my son was born, so it resonated in a way that will be hard to beat -- but Inside Out is neck-in-neck with The Incredibles for second place. Though I admit the reason I liked it so much had a lot to do with mushy parenting stuff that might not resonate with younger viewers that don't have kids.
Here's the thing. On one level, they did their standard Pixar thing where they took something ordinary (cars, toys, etc.) and anthropomorphized it into something new and interesting. And that certainly works as a pretty good movie. It's neat to see how the characters on the inside translate to actions in the outside world and they created a model of that world that holds together really well. You can tell they put a lot of thought into it. By that kinda traditional Pixar definition, Anger gets most of the best lines. Certainly anyone can get two hours of enjoyment out of that movie.
On the other hand... and here, the Captain is turning on the "mushy parent" sign... there's this second movie within the movie that's for the parents, and it works you over in a mostly good way. If you tweak the perspective and treat it as a movie about Joy as the parent (instead of the external parents) and Riley as her child, it becomes something really beautiful about the struggle parents go through as their kids grow older and change into someone else. It's about trying to control and guide something that is ultimately uncontrollable, and Joy represents the idea that love and optimism are the only lens you can see your child through, the only tool in your toolbox. And you want to be open to those changes, but you're also stuck holding on to the person they used to be. There's a scene where Joy is literally clinging to memories that are fading away, and damned if it didn't get a little dusty in that theater.
Freakin' Pixar, man...
Here's the thing. On one level, they did their standard Pixar thing where they took something ordinary (cars, toys, etc.) and anthropomorphized it into something new and interesting. And that certainly works as a pretty good movie. It's neat to see how the characters on the inside translate to actions in the outside world and they created a model of that world that holds together really well. You can tell they put a lot of thought into it. By that kinda traditional Pixar definition, Anger gets most of the best lines. Certainly anyone can get two hours of enjoyment out of that movie.
On the other hand... and here, the Captain is turning on the "mushy parent" sign... there's this second movie within the movie that's for the parents, and it works you over in a mostly good way. If you tweak the perspective and treat it as a movie about Joy as the parent (instead of the external parents) and Riley as her child, it becomes something really beautiful about the struggle parents go through as their kids grow older and change into someone else. It's about trying to control and guide something that is ultimately uncontrollable, and Joy represents the idea that love and optimism are the only lens you can see your child through, the only tool in your toolbox. And you want to be open to those changes, but you're also stuck holding on to the person they used to be. There's a scene where Joy is literally clinging to memories that are fading away, and damned if it didn't get a little dusty in that theater.
Freakin' Pixar, man...